Almost as synonymous as turkey, mistletoe, and mince pies, to many, it’s not Christmas until you have sat in a theatre shouting "It’s behind you" to a man in drag.

There’s something quintessentially British about the art of pantomime, and it is arguably one of the only disciplines to captivate audiences irrespective of whether they are watching an amateur production or an all-star cast at the Palladium.

Essentially, the magic of pantomime is determined by the interaction between the performers and the crowd, and this can often be found in local theatres and church halls just as easily as national productions.

Back in 1996, I tried my hand at this genre when I became involved in the Trinity Theatre’s production of Jack and the Beanstalk.

Yet, it was quickly realised that it would be logistically impossible for me as a wheelchair user to appear on stage, and therefore, I was tasked with designing the poster and handing out the programmes at each of the performances.

It may not have been the most glamorous of all the jobs within the production, but it did give me an insight into the workings of a pantomime, which ignited my passion for the art.

After observing panto from around the country with differing levels of professionalism, I have concluded that it makes little difference whether you’re watching a full-on theatrical interpretation or a community presentation at a local village hall because the magic is the same.

This year is no exception, as Medina Theatre prepares to welcome Made to Measure’s interpretation of Aladdin starring Chay Anton, Grace Elizabeth-Cooper, and Alex Oliver as Widow Twankey.

As good as this production seems, I long for the day when both Medina and Shanklin Theatre are able to entice a higher calibre of stars to lead their respective pantomimes, as hopefully, it would open the door to other performers thinking about the Island as a viable option for entertainment.

The Island boasts quite a rich legacy of rep and full-on theatrical variety, and it would be great to think that one day this could return in some guise.

Pantomime is the closest tangible concept to this extinct art form, and we need to treasure it.

Shanklin Theatre prepares to welcome Spotlight's interpretation of Sleeping Beauty from December 21 until January 1.

Again, for a venue that boasts showcasing the very best of live acts, it’s surprising that this production lacks a star billing, which I believe would attract more crowds to the show.

However, maybe there’s something about Isle of Wight pantomimes that offers more of a local atmosphere that brings performers and audiences closer together.

The use of local references and in-jokes offers a bespoke atmosphere that is unique to the Island.

So, long live the British pantomime, and may the Island keep producing top-quality shows that are just for us.

Merry Christmas!